Jason (jcreed) wrote,

I was poking around the books in my office last saturday, and stuck Hofstadter's Le Ton Beau de Marot in my backpack absentmindedly. I figured it'd be good to check it out again, since I've put a lot of thinking and reading in on the subjects of language and translation since the last time I looked at it — probably some time in high school.

Lines 20-25 of the original poem whose analysis the book is built around run as follows

Si tu dures
Trop malade
Couleur fade
Tu prendras,
Et perdras

Now I, even reading Hofstadter's "boring literal" translation,

If thou stayest
Too sick,
Pale shade
Thou wilt acquire,
And will lose
Thy plump form

somehow made the mistake of reading "prendras/acquire" and "perdraslose" as both having "l'embonpoint/plump form" as their object. I could try excusing this by the fact that my ignorance of French let me think that Couleur fade was somehow a complete clause, meaning something like "[your] colour will fade" but it looks like it's just a noun phrase "pale color" which is the complement of Tu prendras that follows it. But really the literal translation should tell me that's wrong, since "Pale shade" is no kind of sentence.

Anyway, I was pleased in a way to find out that Robert French, a professional translator and by all accounts quite a smart guy, had made the same mistake. His verse translation contained the lines

If you stay
Ill this way,
Pale and drawn,
You'll put on
But then cede
Pounds you need.

And Hofstadter gleefully points out the error, and how its fix automatically fixes another error in French's translation that French didn't think was an error at all: not matching the line-count of the original. Oh, Hofstadter.

I also found an esperanto translation on the web. Dolĉega!

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