Oh, man. Sometimes it really gets to me that the ol' C-G/B-Am move is so satisfying, that it keeps sneaking into my writing, because it's so goddamn trite. I mean, I might as well just play C-Am-F-G all day long, for crying out loud.
"Half"
Not much really going on today. Got a little researchy stuff done. Ran into bp, scheduled an informal meeting for tomorrow at her request. I don't know that I actually have anything to say to her about the restriction substitution that she doesn't know already.
"Half"
Am D7
I slept half-awake
Am D7
when I felt it break
F G Am A7
A hundred lives in glass
Dm G
Now the wine-stained floor
C (G/B) Am
And the half-open door
D7 E7 Am E7
Hear only melodies past
---Not much really going on today. Got a little researchy stuff done. Ran into bp, scheduled an informal meeting for tomorrow at her request. I don't know that I actually have anything to say to her about the restriction substitution that she doesn't know already.