The motions she makes and their causal relationship to the music that's happening seem intuitively clear. I think this is in no small part because the music itself is still relatively close to familiar popular music. I think most of the other wacky-avant-garde-musical-interfaces research I've seen was also preoccupied with wacky-avant-garde-music-per-se. And in that case I am like where is the beat and the scales and the chords and what is happening augh.
The motions she makes and their causal relationship to the music that's happening seem intuitively clear. I think this is in no small part because the music itself is still relatively close to familiar popular music. I think most of the other wacky-avant-garde-musical-interfaces research I've seen was also preoccupied with wacky-avant-garde-music-per-se. And in that case I am like where is the beat and the scales and the chords and what is happening augh.
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